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John Grimshaw oil painting

100% hand painted with oils on canvas after museum original
Item No. OP2731
Period: Impressionism

$249.00$1,299.00

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John Grimshaw oil painting 100% handamde reproduction. John Atkinson Grimshaw (6 September 1836 – 13 October 1893) was a Victorian-era artist, a “remarkable and imaginative painter”[1] known for his city night scenes and landscapes.[2][3] His early paintings were signed “JAG,” “J. A. Grimshaw,” or “John Atkinson Grimshaw,” though he finally settled on “Atkinson Grimshaw.” Grimshaw’s primary influence was the Pre-Raphaelites. True to the Pre-Raphaelite style, he put forth landscapes of accurate colour and lighting, and vivid detail. He often painted landscapes that typified seasons or a type of weather; city and suburban street scenes and moonlit views of the docks in London, Leeds, Liverpool, and Glasgow also figured largely in his art. By applying his skill in lighting effects, and unusually careful attention to detail, he was often capable of intricately describing a scene, while strongly conveying its mood. His “paintings of dampened gas-lit streets and misty waterfronts conveyed an eerie warmth as well as alienation in the urban scene.”[5] Dulce Domum (1855), on whose reverse Grimshaw wrote, “mostly painted under great difficulties,” captures the music portrayed in the piano player, entices the eye to meander through the richly decorated room, and to consider the still and silent young lady who is meanwhile listening. Grimshaw painted more interior scenes, especially in the 1870s, when he worked under the influence of James Tissot and the Aesthetic Movement.[6] On Hampstead Hill is considered one of Grimshaw’s finest, exemplifying his skill with a variety of light sources, in capturing the mood of the passing of twilight into the onset of night. In his later career this use of twilight, and urban scenes under yellow light were highly popular, especially with his middle-class patrons.[7] His later work included imagined scenes from the Greek and Roman empires, and he also painted literary subjects from Longfellow and Tennyson-pictures including Elaine and The Lady of Shalott. (Grimshaw named all of his children after characters in Tennyson’s poems.)[8] In the 1880s, Grimshaw maintained a London studio in Chelsea, not far from the comparable facility of James Abbott McNeill Whistler. After visiting Grimshaw, Whistler remarked that “I considered myself the inventor of Nocturnes until I saw Grimmy’s moonlit pictures.”[9] Unlike Whistler’s Impressionistic night scenes, however, Grimshaw worked in a realistic vein: “sharply focused, almost photographic,” his pictures innovated in applying the tradition of rural moonlight images to the Victorian city, recording “the rain and mist, the puddles and smoky fog of late Victorian industrial England with great poetry.” Grimshaw’s paintings depicted the modern world but managed to escape the depressing, dirty reality of industrial towns. Shipping on the Clyde for instance, a depiction of Glasgow’s Victorian docks, is a lyrically beautiful evocation of the industrial era. Grimshaw transcribed the fog and mist so accurately as to capture the chill in the damp air, and the moisture penetrating the heavy clothes of the few figures awake in the misty early morning. Some artists of Grimshaw’s period, both famous and obscure, generated rich documentary records; Vincent Van Gogh and James Smetham are good examples. Others, like Edward Pritchett, left nothing. Grimshaw left behind him no letters, journals, or papers; scholars and critics have little material on which to base their understanding of his life and career. Grimshaw died 13 October 1893, and is buried in Woodhouse Cemetery, Leeds. His reputation rested, and his legacy is probably based on, his townscapes. The second half of the 20th century saw a major revival of interest in Grimshaw’s work, with several important exhibits of his canon. A new retrospective exhibition Atkinson Grimshaw – Painter of Moonlight is running from 16 April 2011 to 4 September 2011 at Mercer Art Gallery in Harrogate.

Available sizes and prices: size 1. 16" x 20" (40 x 50 cm) $189 size 2. 20" x 24" (50 x 60 cm) $199 size 3. 24" x 30" (60 x 75 cm) $249 size 4. 24" x 36" (60 x 90 cm) $299 size 5. 30" x 40" (75 x 100 cm) $349 size 6. 36" x 48" (90 x 120 cm) $449 size 7. 48" x 60" (120 x 150 cm) $599 size 8. 48" x 72" (120 x 180 cm) $699 size 9. 60" x 72" (150 x 180 cm) $799 Custom sizes: we can paint any size, contact us for a price quote if your desired size is not listed above.

Hand painted with oils on canvas after museum original. Our oil paintings are 100% real hand-painted paintings, on real thick canvas with real and finest quality oil paints. We do not use prints or computer generated manipulation when creating our paintings, each artwork is painted on a blank canvas from scratch. Our experienced artists paint in the same way the original paintings were created with visible textures and brush strokes. Please visit our "Completed Paintings" to see side by side examples of our reproductions next to the originals. For more details please refer to our "Oil Paintings Reproductions FAQ".
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