Description
Thomas Hill oil painting 100% handamde reproduction. Thomas Hill (September 11, 1829 – June 30, 1908) was an American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire. Hill was loosely associated with the Hudson River School of painters. He made early trips to the White Mountains with his friend Benjamin Champney and painted White Mountain subjects throughout his career. An example of his White Mountain subjects is Mount Lafayette in Winter. Hill acquired the technique of painting en plein air. These paintings in the field later served as the basis for larger finished works. Hill’s move to California in 1861 brought him new material for his paintings. He chose monumental vistas, like Yosemite. During his lifetime, Hill’s paintings were popular in California, costing as much as $10,000. Hill’s best works are considered to be these monumental subjects, including Great Canon of the Sierra, Yosemite, Vernal Falls and Yosemite Valley. His 1865 View of the Yosemite Valley was chosen to be the backdrop of the head table at Barack Obama’s inaugural luncheon, to commemorate Lincoln’s 1864 signing of the Yosemite Grant. A painting has been chosen for every inaugural luncheon since 1985.[1] Hill’s most famous and enduring work is of the driving of the “Last Spike” at Promontory Summit, U.T., on May 10, 1869, to join the rails of the CPRR and UPRR. The huge 8 x 12 foot painting, which features detailed portraits of 71 individuals associated with the First Transcontinental Railroad, hangs at the California State Railroad Museum in Sacramento, California.[2] BThe Hudson River School was a mid-19th century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by romanticism. The paintings for which the movement is named depict the Hudson River Valley and the surrounding area, including the Catskill, Adirondack, and the White Mountains; eventually works by the second generation of artists associated with the school expanded to include other locales.
